This series acts as an assiduous explorer, unearthing colossal cultural treasures. The ten typical Chinese folktales selected vividly present classic and ancient Chinese culture. The series is a must-read for all children.
The unique Chinese-style illustrations will engage children and the stories will instill wise oriental philosophies of life such as diligence, courage and kindness.
The books were written and illustrated by award-winning authors and artists. The team has won awards such as Feng Zikai Chinese Childen’s Picture Book Award, Hsin Yi Picture Book Award, Bingxin Children’s Literature Award and Hong Kong Youth Literary Awards. The series was reviewed by consultant Dr Wang Jing, a professor of children’s literature at Shanghai Normal University and a student of Mei Zihan, a renowned author of Chinese children’s literature.
Archives: Books
The Story of the Kitchen God
This series acts as an assiduous explorer, unearthing colossal cultural treasures. The ten typical Chinese folktales selected vividly present classic and ancient Chinese culture. The series is a must-read for all children.
The unique Chinese-style illustrations will engage children and the stories will instill wise oriental philosophies of life such as diligence, courage and kindness.
The books were written and illustrated by award-winning authors and artists. The team has won awards such as Feng Zikai Chinese Childen’s Picture Book Award, Hsin Yi Picture Book Award, Bingxin Children’s Literature Award and Hong Kong Youth Literary Awards. The series was reviewed by consultant Dr Wang Jing, a professor of children’s literature at Shanghai Normal University and a student of Mei Zihan, a renowned author of Chinese children’s literature.
The Devil with Three Golden Hairs
This series acts as an assiduous explorer, unearthing colossal cultural treasures. The ten typical Chinese folktales selected vividly present classic and ancient Chinese culture. The series is a must-read for all children.
The unique Chinese-style illustrations will engage children and the stories will instill wise oriental philosophies of life such as diligence, courage and kindness.
The books were written and illustrated by award-winning authors and artists. The team has won awards such as Feng Zikai Chinese Childen’s Picture Book Award, Hsin Yi Picture Book Award, Bingxin Children’s Literature Award and Hong Kong Youth Literary Awards. The series was reviewed by consultant Dr Wang Jing, a professor of children’s literature at Shanghai Normal University and a student of Mei Zihan, a renowned author of Chinese children’s literature.
Far From My Hospital Bed
Far From My Hospital Bed is a collection of non-fiction essays that were assembled over two years, starting from the author’s twenty-five day stay in a Singapore hospital recovering from COVID-19. It is a book that is part story-telling, part autobiography, part meditation, part memory, part history, part sociology,
and part manifesto.
There are many tones in each of the essays: sorrow, grief, fear, anxiety, enthusiasm, admiration, celebration, remembrance, humour, sarcasm, admonishment. There are chapters on gardens, noodles, toilet paper, God, Twiggy, sex, Zoom, and the Apocalypse.
Finally, this book is big on hope for a redemptive future for humanity and a plea to remake our world.
We Are Not Alone Here
An unnamed young woman and her companion strike up a conversation in the dark in a quiet room, in the middle of nowhere. As they talk, the young woman starts to open up her life, to talk about her past and childhood, growing up in a single-parent household under poor impoverished conditions, living under the cold, steely eye of an estranged and manipulative mother who physically and emotionally abused her. The woman gradually divulges the lies and secrets that have plagued her life from a very young age, and how all of it has led her to make hard choices along the way: to be a mistress to her boss at her first job, to have a child out of wedlock, to rear a child all on her own and then to tragically lose him in a drowning.
The truth becomes stranger and more complicated as the woman continues to tell her story, braiding and twisting the facts and sequence of events as she narrates, that soon reveals a long unvoiced history of pain and violence and deception, that ultimately culminates in her committing a series of horrific and terrible acts. What has seemed clear and straightforward at the start of the woman’s story soon becomes a strange febrile dream that holds the woman and her companion in a complicit, unbreakable spell.
Chickpeas to Cook & Other Stories
Chickpeas to Cook is the story of the woman of the tribe, women from some of the smallest of communities, often no more than a few hundred families in Singapore. How do these women live, think, breathe? What does the Dawoodi Bohra woman answer, for instance, when she’s asked if her daughter will don the ridah after marriage? When does the Sikh woman decide it’s time to come out of her brother’s shadow and live for herself? What does the Eurasian woman do when her DNA report arrives and it doesn’t quite tally with what her parents told her? What does the Zoroastrian woman tell the author about bridges and confluences while she helps her navigate a difficult period of introspection?
Yes, it’s a world of dwindling walls, a veritable house of mirrors where reflections bounce off each other into infinitude, yet each appears more familiar than the last. It’s about ordinary women living ordinary lives, taking ordinary decisions, made extraordinary only by the love, empathy and fortitude they invest in it. But beware! For under the haunting haze lies magic – a woman’s communion with herself, with the truths of the universe. And when the individual stories are sown together, it transforms yet again, into a connected journey of intimate understanding.
The First Decade
I started a blog. I borrowed USD 16,000. And now, I’ve built a multimillion dollar fashion company, garnered 1.8 million followers on Instagram and managed to squeeze in time to get married and give birth to not one, but four children.
Perfect for young entrepreneurs, this book shares the secrets of my entrepreneurial journey so far-from starting a business with my boyfriend (telling my dad sure was fun), to fundraising, to managing a team of 400 people, to dealing with the good and bad of social media, and to pretending to nod when my tech team talks about cookies.
I share my proud wins for you to get inspired by, and my juicy failures for you to eat popcorn to.
Always a work in progress, my story is unfinished.
But for now, allow me to present to you, The First Decade.
Unsaid: An Asian Anthology
His wife’s voice was unmistakable. She was moaning and sighing, and he could hear his divan creaking. How he wished he had not come home that night. He was a mere mortal. His heart had betrayed him. What can he do? Somewhere else in the world a child watches her father bullied into submission, while another is teased for his queer choices by those he trusts. Will the soft voices of the weak ever be heard? Nothing – not even death – was going to stop her from joining her family during the annual lantern festival celebrations. The dead do walk amongst us, don’t they? When the sun sets in the forest, a woman pays the price for ignoring the village elders’ beliefs. Is there any truth to these old wives’ tales? Fifteen stories, all set in Asia. Fifteen storytellers, who have mastered the art of laying bare the human psyche. Stories of pain, and power, and good fighting the bad. Stories that take you to the mystical dark side. Stories that knot family ties in darkness. This is UNSAID: An Asian Anthology.
A Gaijin Sarariman
People who work for companies for monthly salaries are known as sarariman in Japan. They are the foot soldiers who, through their hard work and dedication, enabled the meteoric transformation of Japan into a global economic powerhouse from the ruins of the Second World War. Like the famous bushido or the ‘way of the warrior’ of the old samurai clan, these sarariman are a breed of their own, with their own work ethics and social practices. The author has spent over twenty years working closely with these sarariman from various Japanese companies and lived and worked in Tokyo for four years. A Gaijin Sarariman is a first-hand account of the author’s journey, working in Japan as a gaijin (foreign) sarariman, infused with two decades of experience dealing with the local people from all walks of life providing meaningful insights into the unique Japanese culture.
Threading Worlds: Conversations on Mental Health – Singapore and Mental Health
Singapore and Mental Health zooms out to take a bird’s eye view of the mental health landscape in Singapore. The author speaks to psychiatrists, psychologists, politicians and community leaders to find out how we are dealing with mental health as a nation, and what we can do to better support each other as a collective.